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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Historical Ceramic Type Collection</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Cloe Ellington</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This type collection serves to showcase the variance within ceramic typologies identified in the MARTA archaeological collection. Sixteen broad categories were created to provide identification criteria for future research. </text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Bristol Glazed &amp; Albany Slip Stoneware</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>&lt;p&gt;Stoneware production in the U.S. began at different times but took off in the 19&lt;sup&gt;th&lt;/sup&gt; century. After the civil war, stoneware production increased even further with the use of industrial pottery techniques, including the use of molds to create vessels. This industrialization put most local potteries out of business by the Great depression.&lt;/p&gt;&#13;
&lt;p&gt;This utilitarian stoneware has an off-white vitrified paste generally fired at 1200-1350° Celsius. It is characterized by a combination of the off-white Bristol glaze and brown Albany slip. See “Bristol Glaze stoneware” and “Albany Slip stoneware” for an explanation of individual color variations. This combination is typically seen on liquor jugs and other utilitarian wares. When not applied to jugs, a Bristol glaze is typically applied to the exterior, with the Albany slip being on the interior. The color combination is done for decorative purposes and ease of cleaning but was very popular during the last half of the 19&lt;sup&gt;th&lt;/sup&gt; century up through the early 20&lt;sup&gt;th&lt;/sup&gt; century when the need for utilitarian jugs started to decline with the rise of glass and plastic after the Great depression, particularly in the southeast (Baldwin 1992:186).&lt;/p&gt;</text>
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          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
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              <text>Baldwin, Cinda K. &lt;br /&gt;1993 Great and Noble Jar; Traditional Stoneware of South Carolina. The University of Georgia Press, Athens.&lt;br /&gt;&lt;br /&gt;https://apps.jefpat.maryland.gov/diagnostic/Post-Colonial%20Ceramics/NorthAmericanStoneware/index-NorthAmericanStoneware.html</text>
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          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <text>Early 1800s to mid 1900s; Popular late 1800s to early 1900s</text>
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          <name>Coverage</name>
          <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <text>p2/ACC 133, p2/ACC 133, p1672/ACC 133, p2/ACC 133, p1672/ACC 133, p487/ACC 170, p509/ACC 170, p5295/ACC 170, p4/ACC 189, p202/190, p160/ACC 190, p305/ACC 190</text>
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          <name>Type</name>
          <description>The nature or genre of the resource</description>
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              <text>Historic Ceramic</text>
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      <name>Bristol Glazed &amp; Albany Slip Stoneware</name>
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